Molten copper and brass were poured through the trees, creating a unique cast of the core as the metal flowed inside. The five monumental sculptures in the exhibition, for instance, derive from trees harvested from a burned forest in the Sawtooth Mountains of central Idaho, near the artistвЂ™s childhood home. 1967, San Francisco, lives and works in New York) has combined traditional casting methods and new digital technologies with unprecedented techniques to create artworks of formal and material complexity, and narrative density. The artworks in вЂњRedoubtвЂќ continue the artistвЂ™s notable shift in materials over the past decade, from the plastic and petroleum jelly of his early works to the cast metals that figured prominently in River of Fundament (2014). After its run at UCCA, in October 2020 it will travel to the Hayward Gallery in London. The exhibition was first displayed at Yale University Art Gallery from March 1 to June 16, 2019. Also featured are five monumental sculptures, more than fifty engravings and electroplated copper plates, and an artist-conceived catalogue. The exhibition includes an eponymous two-hour film that traces the story of a wolf hunt in IdahoвЂ™s Sawtooth Mountain range, intertwining the theme of the hunt with those of mythology and artistic creation. From Septemthrough January 12, 2020, UCCA presents вЂњMatthew Barney: Redoubt,вЂќ a major new body of work realized between 20 that marks the artistвЂ™s first solo exhibition in China.

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